ARTnews by Barbara A. MacAdamOh, to be a time traveler, making regular forays into the 1960s and ’70s, when there seemed to be less marketplace pressure and artists felt free to take imaginative chances, experiment uninhibitedly with materials and forms, and be more quietly speculative.
The Irish Times by Lara MarloweThe Irish painter Brian Maguire is an artiste engagé, a secular missionary who devotes his talent to a form of social protest. He has taught painting to poor children from Palestine to Brazil, and to prisoners all over the world. At his atelier in the working class reaches of northern Paris, Maguire has just completed a series of paintings on the migrant crisis, because “what an artist has to do is reflect their time . . . That’s really what I’m trying to do, to reflect what is for me the biggest story in Europe – those deaths in the Mediterranean.” Read More